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Hey everyone. Here I have a poem, Storm Fear by Robert Frost. I’m currently in the process of analyzing this piece of work, but I’m not doing too great. Here’s the poem first.

WHEN the wind works against us in the dark,
And pelts with snow
The lower chamber window on the east,
And whispers with…
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Hey everyone. Here I have a poem, Storm Fear by Robert Frost. I’m currently in the process of analyzing this piece of work, but I’m not doing too great. Here’s the poem first.

WHEN the wind works against us in the dark,
And pelts with snow
The lower chamber window on the east,
And whispers with a sort of stifled bark,
The beast,
“Come out! Come out!”—
It costs no inward struggle not to go,
Ah, no!
I count our strength,
Two and a child,
Those of us not asleep subdued to mark
How the cold creeps as the fire dies at length—
How drifts are piled,
Dooryard and road ungraded,
Till even the comforting barn grows far away,
And my heskin analyzer systemart owns a doubt
Whether ’tis in us to arise with day
And save ourselves unaided.

I’ve come up with a theme that somehow relates how it is important and how difficult it is to make the correct choices. However, I’m not quite sure how to back it up. I think I may be interpreting the poem wrong, but I’m don’t really know.

So my question here today is, what do you guys think is the theme of this poem?

Thanks for the help everyone :). And have a great day.

Answer:
Maikang Some nature poems praise the beauty of the natural world. This one, though, is about nature’s scary power. Nature is not a friend in this poem. It’s an enemy. In the very first line, the poem says “the wind works against us.” A few lines later, the storm is described as a wild “beast” trying to lure humans out of the warm safety of their house. (If you go outside to encounter a beast, you’re likely to get killed and eaten.) As the storm progresses, cold begins invading the house as the fire dies (which might be a warning that the people in the house could also die). Two adults and one child seem pretty small, weak, and defenseless against the power of the storm; the speaker of the poem feels “subdued” as warmth fades away inside the house and snow piles up outside. As the snow gets deeper, “the comforting barn” (a structure, like the house, that provides comfort because it represents some kind of human control over the natural landscape) seems further and further away. (In a sense, it is further away. The longer the storm lasts, the harder it will be to get from the house to the barn.) As the storm looms larger and the humans feel smaller and weaker, the speaker of the poem admits that he’s not even sure his family will have what it takes to get up in the morning and try to “save ourselves,” to overcome nature’s frightening power and regain control of their lives.

Not sure where you get that stuff about “how it is important and how difficult it is to make the correct choices.” Is that based on those lines about the “beast” calling the people outside and the people resisting the call without any “inner struggle”? I think you might be trying a little too hard to impose some meaning that’s not really there in the poem.skin analyzer

Maikang It describes a blizzard, which could be deadly, if you lived in rural America
in the late 1800’s. This poem describes the affect on people physically and emotionally.
Frost was born in 1874. He was 40 years old when the automobile or paved roads
were rarities. In the rural America of his youth, there was no electricity.
Horse and buggy were the means of transportation. There was no running water
or sewer facilities. Heavy snowstorms were a frightful experience.
I’ve seen so many critiques of his poems that, to me, are nonsense, trying
to layer them with metaphors and hidden meanings.
Frost was a talented, yet simple man who wrote poetically about nature
and the hardships of life. The average lifespan was 45 yrs and children were lucky
if the passed the 5 year mark. This was 130 yrs ago.skin analyzer

Maikang Storm Fear Robert Frostskin analyzer

Maikang You can learn those feedback I obtained from Spark Notes and take a few matters from them. “Ozymandias” is a sonnet, a fourteen-line poem metered in iambic pentameter. The rhyme scheme is reasonably special for a sonnet of this period; it does now not have compatibility a traditional Petrarchan sample, however as a substitute interlinks the octave (a time period for the primary 8 traces of a sonnet) with the sestet (a time period for the final six traces), by way of steadily exchanging ancient rhymes with new ones within the sort ABABACDCEDEFEF. This sonnet from 1817 is commonly Shelley’s so much popular and so much anthologized poem—that’s reasonably unusual, due to the fact that it’s in lots of approaches an abnormal poem for Shelley, and that it touches little upon the essential issues in his oeuvre at significant (cosmetic, expression, love, creativeness). Still, “Ozymandias” is a masterful sonnet. Essentially it’s dedicated to a unmarried metaphor: the shattered, ruined statue within the barren region desolate tract, with its smug, passionate face and monomaniacal inscription (“Look on my works, ye Mighty, and depression!”). The as soon as-pleasant king’s proud boast has been paradoxically disproved; Ozymandias’s works have crumbled and disappeared, his civilization is long past, all has been grew to become to dirt by way of the impersonal, indiscriminate, harmful vigour of historical past. The ruined statue is now simply a monument to 1 guy’s hubris, and a strong assertion approximately the insignificance of humans to the passage of time. Ozymandias is first and fundamental a metaphor for the ephemeral nature of political vigour, and in that experience the poem is Shelley’s so much remarkable political sonnet, buying and selling the unique rage of a poem like “England in 1819” for the crushing impersonal metaphor of the statue. But Ozymandias symbolizes now not best political vigour—the statue is usually a metaphor for the delight and hubris of all of humanity, in any of its manifestations. It is tremendous that each one that stays of Ozymandias is a murals and a organization of phrases; as Shakespeare does within the sonnets, Shelley demonstrates that artwork and language lengthy live much longer than the opposite legacies of vigour. Of direction, it’s Shelley’s extraordinary poetic rendering of the tale, and now not the area of the tale itself, which makes the poem so memorable. Framing the sonnet as a tale advised to the speaker by way of “a tourist from an vintage land” permits Shelley so as to add one other degree of obscurity to Ozymandias’s role in regards to the reader—as a substitute than seeing the statue with our possess eyes, with the intention to talk, we listen approximately it from any one who heard approximately it from any one who has visible it. Thus the old king is rendered even much less commanding; the distancing of the narrative serves to undermine his vigour over us simply as thoroughly as has the passage of time. Shelley’s description of the statue works to reconstruct, steadily, the determine of the “king of kings”: first we see simply the “shattered visage,” then the face itself, with its “frown / And wrinkled lip and sneer of bloodless command”; then we’re announced to the determine of the sculptor, and are capable to suppose the residing guy sculpting the residing king, whose face wore the expression of the passions now inferable; then we’re announced to the king’s folks within the line, “the hand that mocked them and the guts that fed.” The kingdom is now imaginatively entire, and we’re announced to the unusual, prideful boast of the king: “Look on my works, ye Mighty, and depression!” With that, the poet demolishes our imaginary photo of the king, and interposes centuries of damage among it and us: “?‘Look on my works, ye Mighty, and depression!’ / Nothing beside stays. Round the decay / Of that significant break, boundless and naked, / The lone and degree sands stretch some distance away.” The speaker remembers having met a tourist “from an vintage land,” who advised him a tale approximately the ruins of a statue within the barren region of his local nation. Two colossal legs of stone stand and not using a frame, and close them a enormous, crumbling stone head lies “part sunk” within the sand. The tourist advised the speaker that the frown and “sneer of bloodless command” at the statue’s face point out that the sculptor understood good the passions of the statue’s area, a person who sneered with contempt for the ones weaker than himself, but fed his folks considering the fact that of some thing in his center (“The hand that mocked them and the guts that fed”). On the pedestal of the statue seem the phrases: “My title is Ozymandias, king of kings: / Look on my works, ye Mighty, and depression!” But across the decaying damage of the statue, not anything stays, best the “lone and degree sands,” which stretch out round it, some distance away.skin analyzer

Maikang Can You Help Analyze this poem please ;;
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